Welcome to the Chameleon Project - the largest project to assist the spirit of humanity on Earth.
Hello, I am Bearloud, overSeer of the Chameleon Project. aRA Miles recently interviewed me about the project. Here are some of the questions and answers:
Q: You are currently working on a massive undertaking called the Chameleon Project. What is it you wish to accomplish with this project?
Bearcloud: I’d like to accomplish a higher consciousness towards our planet, towards our universe, towards all things that exist within our world. We need to understand the spirit of the Earth Mother so that we can bring about greater harmony between all peoples who exist on the Earth.
Q: How did your background as a painter and a shaman bring about the vision that has become the Chameleon Project?
Bearcloud: It wasn’t my artwork that evoked the Chameleon Project, although that was the first thing I used to propel it forward. My ability as a vision seeker opens up doorways for me to be able to see things on my journey. In about the year 2000 I had a vision where the doorways opened and what I saw was the Starglyphs gradually fading away and disappearing into nothing. In the vision I saw a garden project making a way to express these Starglyphs as floral and stone gardens and so ultimately preserve them for a long time. And from there evolved the Chameleon Project into the form you see now.
Q: Why did you name the Chameleon Project after chameleons?
Bearcloud: I called it the Chameleon Project because the gardens, and also the people who enter into this place, go through shifts and changes; the flowers are constantly replanted in different colors. It is because of these ever changing aspects between the flowers in the garden, the energy of the Starglyphs, and the people themselves, that I call it the Chameleon Project. All this reflects the ever-changing colors of the Chameleon.
The name Chameleon also comes from my vision of the Chameleon Pyramids. The qualities of the Chameleon Pyramids were very like those of the Starglyph I went into at West Kennett, Long Borough in 1999, in that the elements were very unlike anything we know here on Earth. The surface of the pyramids was made of a stone that was harder than diamonds and yet had such a translucency it looked like your hand could pass through it. It had an ability to take on the colour of objects and beings and the energy it was surrounded by. An aura reading is a very primitive form of this capacity, which is meant to heal and transform. In my vision I saw that people came from around the universe to work on their journeys and those who had offered healing in their worlds were given the ability to pass through a sacred transmutational flame.
Q: What are the key features of the Chameleon Project?
Bearcloud: Within the project itself is its devotion to being a green project, to awareness of connection to the Earth, and to awareness of people’s own understanding of themselves. Then there are the Starglyphs that exist within the gardens. There’s over 200 of them. There’s a maze of labyrinths of walkways that move throughout the gardens so that you can enter and experience each of these specially made geometric designs.
In the center of the huge glass pyramid, there is a replica of the Chameleon Pyramid complex as I saw it in my vision in 1999. It’s a smaller model than in my vision, but it has a great deal of application to this project. Within four of the seventeen pyramids there are looping movies of the state of the planet, and all of these stone pyramids are tied together into the one in the center. The large one in the center is a research facility. It houses a series of computers that contain data important to the Earth and also to the understanding of the Starglyphs and the Chameleon structure itself, plus a great deal of information on the universe as well. Ecology and Egyptology are represented very strongly within this facility.
Also, for the sake of research, a display of the universe as star systems is projected onto a curved ceiling within that central pyramid, twenty-four hours a day, so that at any given point in time, people can review where celestial bodies are positioned.
Q: What role does geometry play in the structure of the Chameleon Project?
Bearcloud: All of the geometry that exists within the Chameleon Project has a harmonic connection to it that I believe supports the same energies creation is made of, and opens the doorways for these energies to flow towards people as well. The project structure is a series of well-ranged circles and squares and eight-pointed stars that flow with the nature of this understanding. The entire shape of the Chameleon Project structure has been designed from key geometric elements I know are important in the Starglyphs and amongst ancient native symbols. Then there’s the very integral nature of the gardens at ground level, and the labyrinth of walkways which also interrelate with the geometric dimensions. The Starglyphs existing within each one of the gardens reflect more of the continuity of harmonic sound and light vibrations that I believe are reflected in all of the geometric shapes.
Q: What is the role of geometry in the layout of the gardens?
Bearcloud: The geometry of the Starglyphs reveal incredible understanding of how our universe exists, how we exist, how things exist on the Earth Mother in a profound way that can be understood by everyone. They evoke inner principles that each person can feel within their own world. Starglyphs have the ability to shift consciousness, they have the ability to bring people to higher levels of understanding, to bring about transformation, if people have their doorways open to see what these symbols mean and what they offer on an innate level.
It is important the Starglyphs be preserved and that they are staged for use by the people. They represent an unspoken, common language that can be understood by anyone and strengthen commonalities. The energy of each one of these symbols will evolve more and more over time as people understand more about them.
Q: Your Chameleon Project design includes huge statues of the Egyptian god Thoth and the goddess Shuchat? Why is this so? Will there be other statues?
Bearcloud: At the entrance to the central stone pyramid there are two statues thirty feet tall. In the Egyptian spiritual path, Thoth was the god who was responsible for mathematics, for the structure of the pyramids. Shuchat was his counterpart, his balance, and she is also described as the scribe who kept record of the understanding of all things since the beginning of time. These two stand on the northern side of the central pyramid.
On the south side there are two more statues that are going to be constructed at the same height. Their likeness comes from Edward Curtis photographs. One is of a Native American elder named Blackhawk and the other of an elder named Slowbull. These represent the Earth door. On the eastern side of the pyramid there are two large eagles, their heads facing the walkway and their wings crossed over the top of it. At the western doorway are two more carvings, large in size and both of them are bears. They are kind of humorous in the way they stand. One of them is holding a sphere and one is holding a cube.
Q: Why have you chosen to design the gardens of the Chameleon Project in patterns portrayed by real Starglyphs?
Bearcloud: Every one of these symbols contains innate understandings that can be perceived by all people who choose to open up the doorways they represent. They evoke specific awareness and principles we all possess. They open up corridors, if one is so focused, to be able to understand certain types of elements that exist on the Earth and in the universe. So they have become significantly important, because of the relationship between us and All that Is. These symbols assist in bringing us back into harmony with the Earth, the Sky and ourselves.
Wah-we-nah
Bearcloud
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You can read more about the Chameleon Project at: http://www.chameleon-project.org.
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